Jacob Obrecht, Ars Nova Secunda, Janos Bali's 'Missa Malheur me bat a 4: Christe' came out on January 1, 2015. With Missa Malheur me bat a 4: Christe being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 37 in the song's album "Obrecht: Missa O Lumen Ecclesiae - Ave Regina Caelorum - Alma Redemptoris Mater - Missa Malheur Me Bat". In this album, this song's track order is #25. Missa Malheur me bat a 4: Christe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa Malheur me bat a 4: Christe by Jacob Obrecht, Ars Nova Secunda, Janos Bali having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mout me fu grief li departir / Robin m'aime, Robin m'a / Portare | Adam de la Halle, Tonus Peregrinus, Antony Pitts | G Major | 2 | 9B | 89 BPM | ||
Messe de Notre-Dame: II. Kyrie | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | A Major | 2 | 11B | 135 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Gloria patri | Francesco Corteccia, Le Concert Spirituel, Herve Niquet | G Major | 1 | 9B | 79 BPM | ||
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
Gagliarda | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | G Major | 2 | 9B | 77 BPM | ||
Mijn hert altijt heeft verlanghen | Pierre de la Rue, Capilla Flamenca | A Minor | 0 | 8A | 76 BPM | ||
Tallis: Hear the Voice and Prayer | The Tallis Scholars, Peter Phillips | F♯ Minor | 0 | 11A | 82 BPM | ||
Mal un muta per effecto | Marchetto Cara, Shirley Rumsey | A Minor | 0 | 8A | 97 BPM | ||
Akathistos Hymn: Kontakion | Choir of the Monks of Chevetogne | B Major | 1 | 1B | 83 BPM |
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