"La Serenata" by Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge was released on January 1, 2013. The duration of La Serenata is about 3 minutes long, at 3:19. Based on our data, "La Serenata" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 53 in the song's album "Pavarotti The 50 Greatest Tracks". In this album, this song's track order is #14. Based on our statistics, La Serenata's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Serenata by Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
Mattinata | Ruggero Leoncavallo, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | B Major | 1 | 1B | 169 BPM | ||
"Habanera: Canta Y No Llores" (Don Gil De Alcala) - Remasterizado | Teresa Berganza, Lina Huarte | B♭ Major | 4 | 6B | 97 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) | Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | C Minor | 3 | 5A | 80 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
Mascagni: Cavalleria rusticana: "Regina coeli" | Pietro Mascagni, Angela Gheorghiu, Emmanuel Villaume, PKF-Prague Philharmonia | G Major | 3 | 9B | 52 BPM | ||
Mignon (1987 Digital Remaster): Ah, pour ce soir...Je suis Titania (Polonaise) | Maria Callas, Georges Prêtre | B♭ Major | 2 | 6B | 97 BPM | ||
Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM |
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