Teresa Berganza, Lina Huarte's '"Habanera: Canta Y No Llores" (Don Gil De Alcala) - Remasterizado' came out on December 7, 2018. The duration of "Habanera: Canta Y No Llores" (Don Gil De Alcala) - Remasterizado is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. "Habanera: Canta Y No Llores" (Don Gil De Alcala) - Remasterizado's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Zarzuela's "La Zarzuela "Nuestro Musical"" album is number 10 out of 47. On top of that, Spain appears to be the country where this track was created. In terms of popularity, "Habanera: Canta Y No Llores" (Don Gil De Alcala) - Remasterizado is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of "Habanera: Canta Y No Llores" (Don Gil De Alcala) - Remasterizado by Teresa Berganza, Lina Huarte to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Core 'ngrato | Mario del Monaco | E♭ Major | 4 | 5B | 135 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
Canto a Murcia | Orquesta Sinfónica Española | A Major | 3 | 11B | 117 BPM | ||
Massenet: Don Quichotte, Act 1: "Ah ! C'est vous qui lanciez" (Dulcinée, Don Quichotte, Juan) | Jules Massenet, Teresa Berganza, José van Dam, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Mazurca de las Sombrillas | Orquesta Sinfónica Española | B♭ Major | 3 | 6B | 83 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Così fan tutte / Act 2: "Ora vedo che siete" | Wolfgang Amadeus Mozart, Jane Berbié, Teresa Berganza, Pilar Lorengar, Jeffrey Tate, London Philharmonic Orchestra, Sir Georg Solti | F Major | 1 | 7B | 90 BPM | ||
La Verbena de la Paloma: Escena - Habanera - Seguidillas - Final | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Renato Cesari, Teresa Tourné | E♭ Major | 4 | 5B | 87 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM |
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