Heinrich Ignaz Franz von Biber, Davitt Moroney, John Holloway, Tragicomedia's 'Mystery Sonatas, Sonata No. 13, The Descent of the Holy Ghost: Gavotte' came out on November 13, 2020. With Mystery Sonatas, Sonata No. 13, The Descent of the Holy Ghost: Gavotte being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 55 Violin Hits, so we believe that "Mystery Sonatas, Sonata No. 13, The Descent of the Holy Ghost: Gavotte" is a single. The popularity of Mystery Sonatas, Sonata No. 13, The Descent of the Holy Ghost: Gavotte is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery Sonatas, Sonata No. 13, The Descent of the Holy Ghost: Gavotte by Heinrich Ignaz Franz von Biber, Davitt Moroney, John Holloway, Tragicomedia is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 1st movement: Grave | Francesco Geminiani, Bell'Arte Antiqua | D♭ Minor | 1 | 12A | 87 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: I. Grave | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 1 | 4B | 100 BPM | ||
Ballet de l'impatience, LWV 14: 1e Entrée | Jean-Baptiste Lully, Phemius Consort | A Major | 1 | 11B | 122 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM |
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