"Quintet in E-Flat Major for Piano, Oboe, Clarinet, Horn and Bassoon, K. 452: II. Larghetto" by The Philadelphia Woodwind Quintet was released on 2001. Since Quintet in E-Flat Major for Piano, Oboe, Clarinet, Horn and Bassoon, K. 452: II. Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 36 in the song's album "Robert Casadesus plays Mozart - Sony Classical Masters". In this album, this song's track order is #8. In terms of popularity, Quintet in E-Flat Major for Piano, Oboe, Clarinet, Horn and Bassoon, K. 452: II. Larghetto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Quintet in E-Flat Major for Piano, Oboe, Clarinet, Horn and Bassoon, K. 452: II. Larghetto by The Philadelphia Woodwind Quintet having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tributes! (for Seiji) - Live at Suntory Hall, Tokyo / 2023 | John Williams, Saito Kinen Orchestra, ステファヌ・ドゥネーヴ | G Major | 1 | 9B | 96 BPM | ||
Reveille, concert study for violin with piano accompaniment | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | A Minor | 0 | 8A | 116 BPM | ||
Quintet for Wind Instruments - I. Schwungvell | The Philadelphia Woodwind Quintet | C Major | 0 | 8B | 81 BPM | ||
R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM | ||
Concerto for Cello and Wind Orchestra: I. Pastorale | Jacques Ibert, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | C Major | 0 | 8B | 72 BPM | ||
3 Pièces brèves: I. Allegro - 2023 Remastered Version | Jacques Ibert, The Philadelphia Woodwind Quintet | C Major | 2 | 8B | 106 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Scaramouche, Op. 165d: I. Vif | Darius Milhaud, Sebastian Manz, Martin Klett | C Major | 2 | 8B | 132 BPM | ||
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Concerto-Fantasy: II. Interlude | Paul Chihara, Quynh Nguyen, London Symphony Orchestra, Stephen Barlow | G Major | 2 | 9B | 77 BPM |
Section: 0.9651048183441162
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