Johann Sebastian Bach, Glenn Gould made "Goldberg Variations, BWV 988: Var. 16, Ouverture" available on 1962. With Goldberg Variations, BWV 988: Var. 16, Ouverture being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 120 in the song's album "The Complete Bach Collection Vol. 3 / Glenn Gould". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Goldberg Variations, BWV 988: Var. 16, Ouverture is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Goldberg Variations, BWV 988: Var. 16, Ouverture by Johann Sebastian Bach, Glenn Gould having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Sonatina in C Major, Op. 36 No. 3: III. Allegro | Muzio Clementi, Howard Shelley | G Major | 1 | 9B | 76 BPM | ||
Goldberg Variations, BWV 988: Var. 9, Canone alla terza | Johann Sebastian Bach, Glenn Gould | G Major | 2 | 9B | 97 BPM | ||
Lieder ohne Worte, Op.19: No.3 In A (Molto allegro), MWV U 89 - "Hunting Song" | Felix Mendelssohn, Daniel Barenboim | A Major | 2 | 11B | 93 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, Glenn Gould, Leonard Bernstein, Columbia Symphony Orchestra | E Major | 1 | 12B | 84 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VII. Minuet | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 1 | 12B | 185 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Lieder ohne Worte, Op.38: No. 2. Allegro non troppo In C Minor, MWV U 115 - "Lost Happiness" | Felix Mendelssohn, Daniel Barenboim | C Minor | 1 | 5A | 92 BPM | ||
6 Little Preludes: No. 4 in D Major, BWV 936 | Johann Sebastian Bach, Glenn Gould | D Major | 3 | 10B | 105 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM |
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