Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 2 a 1 Clav. - Live at Thomaskirche Leipzig / 2020" available on February 12, 2021. With Goldberg Variations, BWV 988: Variatio 2 a 1 Clav. - Live at Thomaskirche Leipzig / 2020 being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. Goldberg Variations, BWV 988: Variatio 2 a 1 Clav. - Live at Thomaskirche Leipzig / 2020 is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Goldberg Variations, BWV 988: Variatio 2 a 1 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
St. John Passion, BWV 245: Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 0 | 2B | 74 BPM | ||
Matthäus-Passion: Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe | Johann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs | D Major | 0 | 10B | 78 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : III Courante | Pablo Casals | G Major | 2 | 9B | 170 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM | ||
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | ||
Concerto grosso in D Major, Op. 3/1, RV. 549: III. Allegro | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Michaela Comberti, Miles Golding, Jaap Ter Linden, The English Concert, Trevor Pinnock | F Major | 1 | 7B | 90 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 46 "Wie wunderbarlich ist doch diese Strafe" | Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir, The London Oratory Junior Choir | B♭ Minor | 1 | 3A | 80 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 11 "Er antwortete und sprach" | Johann Sebastian Bach, Anthony Rolfe Johnson, Andreas Schmidt, Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner | E Major | 1 | 12B | 63 BPM | ||
Prelude and Fugue in B flat major, BWV 560: Fugue | Amsterdam Loeki Stardust Quartet | A Major | 0 | 11B | 122 BPM |
Section: 0.6254363059997559
End: 0.629457950592041