Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon's 'L'Orlando Finto Pazzo / Act 3: Lo stridor, l'orror' came out on January 1, 2009. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi by Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon. The song's track number on the album is #13 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, L'Orlando Finto Pazzo / Act 3: Lo stridor, l'orror is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since L'Orlando Finto Pazzo / Act 3: Lo stridor, l'orror by Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L'Orlando Finto Pazzo / Act 3: Lo stridor, l'orror being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The 4 Seasons: Violin Concerto In F Major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): III Allegro | Sonatori de la Gioiosa Marca, Giuliano Carmignola, Antonio Vivaldi | C Major | 2 | 8B | 87 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4 | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 1 | 3B | 82 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
12 Violin Concertos, Op.9 - "La cetra" / Concerto No. 11 in C minor, RV198a: 3. Allegro | Antonio Vivaldi, Felix Ayo, Enzo Altobelli, Maria Teresa Garatti, I Musici | C Minor | 2 | 5A | 117 BPM | ||
Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM |
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