Louis Couperin, Laurence Cummings made "Suite in F Major: II. Allemande grave" available on May 27, 1994. The duration of Suite in F Major: II. Allemande grave is about 3 minutes long, at 3:22. Based on our data, "Suite in F Major: II. Allemande grave" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 26 in Couperin, L.: Harpsichord Suites / Tombeau De M. De Blancocher by Louis Couperin. In terms of popularity, Suite in F Major: II. Allemande grave is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite in F Major: II. Allemande grave by Louis Couperin, Laurence Cummings is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: III. Largo | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 202 BPM | ||
Hexachordum Apollinis: No. 1 in D Minor, Aria & 6 Variations, P. 193 | Johann Pachelbel, Enrico Bissolo | D Major | 7 | 10B | 125 BPM | ||
Airs for the Winter: Golden Rod: II. Musette: Allegro moderato | James Oswald, The Broadside Band | F♯ Minor | 2 | 11A | 127 BPM | ||
Kyrie de quarti toni | Francesc Valls i Galan, Henry Moderlak, Joan Boronat Sanz, Carla Brunet | D♭ Major | 1 | 3B | 73 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
Partita in C Minor, HWV 444: IV. Gavotte | George Frideric Handel, Fernando De Luca | B Minor | 3 | 10A | 89 BPM | ||
Courante | Antoine Forqueray, Scott Ross | E Major | 4 | 12B | 91 BPM | ||
Concerti Ecclesiastici: No. 49, Sonata à 3 | Giovanni Paolo Cima, London Baroque | A♭ Minor | 2 | 1A | 52 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM |
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