"Pärt: Spiegel im Spiegel (Version for Cello and Piano)" by Arvo Pärt, Lisa Strauss, Anastasia Rizikov was released on May 31, 2024. Since Pärt: Spiegel im Spiegel (Version for Cello and Piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 18 out of 18 in Duo Shum by Lisa Strauss, Anastasia Rizikov, Alfred Schnittke, Arvo Pärt, Béla Bartók, Sergei Rachmaninoff. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Pärt: Spiegel im Spiegel (Version for Cello and Piano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pärt: Spiegel im Spiegel (Version for Cello and Piano) by Arvo Pärt, Lisa Strauss, Anastasia Rizikov is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greater Antiphons: VI. O King of all People | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Minor | 0 | 7A | 104 BPM | ||
Pärt: Für Alina | Arvo Pärt, Sergei Babayan | G Major | 0 | 9B | 130 BPM | ||
Honor | Emanuela Dellana | D♭ Minor | 4 | 12A | 95 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: VI. Finale | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Greater Antiphons: II. O Adonai | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Major | 0 | 10B | 138 BPM | ||
III. Allegro grazioso | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Alvorada, da ópera "Lo Schiavo" | Carlos Gomes, Cristian Budu | G Major | 3 | 9B | 107 BPM | ||
Niche | Isobell Makkar | G Major | 0 | 9B | 137 BPM | ||
Opaque | Hanne Diamond | A♭ Minor | 1 | 1A | 180 BPM | ||
La caixinha de música quebrada, W256 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM |
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