"La caixinha de música quebrada, W256" by Heitor Villa-Lobos, Wilhem Latchoumia was released on October 20, 2023. The duration of La caixinha de música quebrada, W256 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. La caixinha de música quebrada, W256's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Villa Lobos: Do Brasil by Heitor Villa-Lobos, Wilhem Latchoumia. The song's track number on the album is #14 out of 17 tracks. Based on our data, France was the country where this track was produced or recorded. La caixinha de música quebrada, W256 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La caixinha de música quebrada, W256 by Heitor Villa-Lobos, Wilhem Latchoumia has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With La caixinha de música quebrada, W256 being at 62 BPM, the half-time would be 31 BPM with a double-time of 124 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
Choros No. 3, "Pica-Pau" | Heitor Villa-Lobos, Sergio Burgani, Marcos Pedroso, Wagner Polistchuck, Alexandre Silverio, Dante Yenque, Luciano Amaral, Samuel Hamzem, Orquestra Sinfônica Do Estado De São Paulo, John Neschling | E♭ Major | 1 | 5B | 94 BPM | ||
Grand Sonata in A Major, MS 3: II. Romanze | Niccolò Paganini, Marco Tamayo | D Major | 2 | 10B | 103 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Valse Elegante | Francisco Mignone, Nelson Freire | F♯ Major | 0 | 2B | 64 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidovic | B Minor | 1 | 10A | 74 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM |
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