Gioachino Rossini, Cecilia Bartoli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's ' "La Cenerentola / Act 1: Una volta c'era...Una soave non so che" was released on its scheduled release date, January 1, 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 1: Una volta c'era...Una soave non so che's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Cenerentola / Act 1: Una volta c'era...Una soave non so che by Gioachino Rossini, Cecilia Bartoli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Silvia, RV 734, Act I Scene 2 : Vorrei vederti anch’io | Antonio Vivaldi, Gloria Banditelli, Ensemble Baroque de Nice, Gilbert Bezzina | A Major | 3 | 11B | 106 BPM | ||
Giasone, Atto I Scena 11: Duo "O mio core" (Medea, Giasone) | Francesco Cavalli, René Jacobs, Michael Chance, Concerto Vocale, Gloria Banditelli | D Minor | 0 | 7A | 78 BPM | ||
Chanson de l'adieu | Francesco Paolo Tosti, William Matteuzzi, Paola Molinari | G Major | 0 | 9B | 139 BPM | ||
La traviata / Act II: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 84 BPM | ||
Il Barbiere di Siviglia: Cessa di più resistere - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 109 BPM | ||
Il Barbiere di Siviglia: Il vecchiotto cerca moglie - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | A Major | 1 | 11B | 109 BPM | ||
La finta scema: Se spiegar potessi appiento (Vanesia) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | E Minor | 2 | 9A | 133 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
La Maddalena penitente, Parte prima "Il trionfo della gratia": Perché tù mi fuggi (Duetto) | Alessandro Scarlatti, Silvia Picollo, Gloria Banditelli, Europa Galante, Fabio Biondi | B Major | 0 | 1B | 64 BPM | ||
Farnace, RV 711, Act I, Scene 9: Al vezzeggiar d'un volto: (Selinda) | Antonio Vivaldi, Le Concert Des Nations, Jordi Savall, Gloria Banditelli | A♭ Major | 3 | 4B | 179 BPM |