"O Sacrum Convivium" by Orlande de Lassus, The Rose Consort Of Viols was released on August 25, 2014. The duration of O Sacrum Convivium is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. O Sacrum Convivium's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Serenissima - Music from Renaissance Europe on Venetian Viols". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, O Sacrum Convivium's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O Sacrum Convivium by Orlande de Lassus, The Rose Consort Of Viols having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | ||
Susanne un jour | Orlande de Lassus, La Guilde des Mercenaires, Adrien Mabire, Violaine Le Chenadec, Jean-Luc Ho | A♭ Major | 1 | 4B | 108 BPM | ||
Introitus: Gaudeamus omnes in domino | Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard | E Major | 1 | 12B | 73 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
Sicut Cervus | The Cathedral Singers | A Major | 3 | 11B | 78 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Acceso mio cuore (Ciaconna) | Francesco Manelli, Capella De La Torre, Katharina Bauml | C Major | 0 | 8B | 109 BPM | ||
3 Carol-Anthems: No. 1, Here Is the Little Door | Herbert Howells, Owain Park, The Gesualdo Six | C Minor | 2 | 5A | 81 BPM | ||
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM |
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