"Four Songs for Sailors: I. To the Thames (Sempre largamente e sonore)" by George Dyson, BBC Concert Orchestra was released on March 25, 2008. With Four Songs for Sailors: I. To the Thames (Sempre largamente e sonore) being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 8 in Cecil Armstrong Gibbs: Odysseus & George Dyson Four Songs for Sailors by BBC Concert Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Four Songs for Sailors: I. To the Thames (Sempre largamente e sonore) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Four Songs for Sailors: I. To the Thames (Sempre largamente e sonore) by George Dyson, BBC Concert Orchestra is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Mystical Songs: No. 1, Easter | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, London Philharmonic Choir | D Major | 2 | 10B | 78 BPM | ||
3 Songs of Praise: No. 1, Praise (Arr. for Choir & Organ) | George Dyson, Daniel Fortune, Girls' Choir of St. Paul's Cathedral, Buffalo, Dale Adelmann | G Major | 1 | 9B | 88 BPM | ||
Nunc Dimittis in D | George Dyson, York Minster Choir, Ben Horden, Robert Sharpe | D Major | 0 | 10B | 132 BPM | ||
Requiem, Op. 9: IX. In Paradisum | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F♯ Major | 0 | 2B | 128 BPM | ||
O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
The Canterbury Pilgrims: X. The Doctor of Physic | George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks | B♭ Major | 2 | 6B | 86 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile (Arr. H. Villa-Lobos for Choir) | Ludwig van Beethoven, Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi | D Minor | 0 | 7A | 73 BPM | ||
Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM |
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