Bamberg Trio's 'Trio No. 7 in B-Flat Major for Piano, Violin and Cello, Op. 97, "Archduke Trio": II. Scherzo: Allegro' came out on September 15, 2005. Trio No. 7 in B-Flat Major for Piano, Violin and Cello, Op. 97, "Archduke Trio": II. Scherzo: Allegro appears to be safe for all ages as it is not explicit. The song is number 2 out of 5 in Beethoven: Trio for Piano by Bamberg Trio. In terms of popularity, Trio No. 7 in B-Flat Major for Piano, Violin and Cello, Op. 97, "Archduke Trio": II. Scherzo: Allegro is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Trio No. 7 in B-Flat Major for Piano, Violin and Cello, Op. 97, "Archduke Trio": II. Scherzo: Allegro by Bamberg Trio is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Jascha Heifetz, Walter Hendl | B♭ Major | 2 | 6B | 101 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Torleif Thedéen, Malmö Symphony Orchestra, Lev Markiz | A♭ Major | 4 | 4B | 159 BPM | ||
Octet In E Flat, Op.20, MWV R20: 2. Andante | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | A♭ Major | 0 | 4B | 80 BPM | ||
24 Caprices for Violin, Op. 1: No. 24 in A Minor | Niccolò Paganini, Ruggiero Ricci | A Minor | 3 | 8A | 116 BPM | ||
Tempo di valse in F-Sharp Minor, JS 194, "Lulu Waltz": Lulu Waltz | Jean Sibelius, Steven Isserlis, Stephen Hough | A Major | 0 | 11B | 88 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 1. Presto | Franz Joseph Haydn, Alfred Brendel | E Minor | 2 | 9A | 140 BPM | ||
Barcarolle | Sylvia Capova | D♭ Major | 0 | 3B | 67 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: II. In Modo d'una Marcia. Un poco largamente | Robert Schumann, Quatuor Hanson, Adam Laloum | C Major | 0 | 8B | 66 BPM | ||
España, Op. 165: 2. Tango | Isaac Albéniz, Alicia de Larrocha | D Major | 0 | 10B | 133 BPM | ||
Piano Sonata in E Minor, Op. 7: II. Andante molto | Edvard Grieg, Einar Steen-Nøkleberg | F Major | 0 | 7B | 137 BPM |
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