"Stradella: Cantata "Care Jesu": V. Recitativo, "Admirabile laetitiae signum" (Alto) - VI. Aria, "Ergo cantibus aether exultet" (Alto) - VII. Finale, "Alleluia" (Alto, Soprano)" by Alessandro Stradella, Gérard Lesne, Sandrine Piau, Il Seminario Musicale was released on 1999. The duration of Stradella: Cantata "Care Jesu": V. Recitativo, "Admirabile laetitiae signum" (Alto) - VI. Aria, "Ergo cantibus aether exultet" (Alto) - VII. Finale, "Alleluia" (Alto, Soprano) is about 3 minutes long, at 3:25. Based on our data, "Stradella: Cantata "Care Jesu": V. Recitativo, "Admirabile laetitiae signum" (Alto) - VI. Aria, "Ergo cantibus aether exultet" (Alto) - VII. Finale, "Alleluia" (Alto, Soprano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 24 in Caldara & Stradella - Cantatas & Motets by Gérard Lesne, Sandrine Piau, Il Seminario Musicale. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Stradella: Cantata "Care Jesu": V. Recitativo, "Admirabile laetitiae signum" (Alto) - VI. Aria, "Ergo cantibus aether exultet" (Alto) - VII. Finale, "Alleluia" (Alto, Soprano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stradella: Cantata "Care Jesu": V. Recitativo, "Admirabile laetitiae signum" (Alto) - VI. Aria, "Ergo cantibus aether exultet" (Alto) - VII. Finale, "Alleluia" (Alto, Soprano) by Alessandro Stradella, Gérard Lesne, Sandrine Piau, Il Seminario Musicale is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Sinfonia No. 3 in D Major: II. Allegro | Alessandro Stradella, Ensemble Arte Musica, Francesco Cera | D♭ Minor | 3 | 12A | 141 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Missa Dolorosa: V. Benedictus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Trumpet Concerto No. 1 in D Major, MWV 6:32: I. Allegro | Johann Melchior Molter, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 1 | 3B | 75 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM |
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