"Légende Op. 17 for Violin and Orchestra" by Henryk Wieniawski, Guido Rimonda, Camerata Ducale was released on September 1, 2017. Since Légende Op. 17 for Violin and Orchestra is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Guido Rimonda, Camerata Ducale's "Le Violon Noir" album is number 18 out of 20. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Légende Op. 17 for Violin and Orchestra is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Légende Op. 17 for Violin and Orchestra by Henryk Wieniawski, Guido Rimonda, Camerata Ducale to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Polonaise brillante No. 2 in A Major, Op. 21 | Anonymous, Henryk Wieniawski, Piotr Plawner, Andrzej Tatarski | E Minor | 1 | 9A | 97 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 2 | 10B | 105 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM | ||
Etudes-caprices, Op. 18: No. 4. in A Minor | Henryk Wieniawski, Bartolomiej Niziol, Daniel Stabrawa | F Major | 1 | 7B | 111 BPM | ||
Hungarian Rhapsody No.6 in D-Flat Major, S. 244 | Franz Liszt, Martha Argerich | D♭ Major | 3 | 3B | 127 BPM | ||
Spohr: Duo Concertante in D Major, Op. 67, No. 2: I. Allegro | Louis Spohr, Itzhak Perlman | D Major | 2 | 10B | 130 BPM |
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