On July 17, 2015, the song "Water Music, Suite: IV. Bourrée" was released by Hamburg State Philharmonic Orchestra. With Water Music, Suite: IV. Bourrée being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Studie Musik's "Kognitive Musik, Vol. 1" album is number 7 out of 20. In terms of popularity, Water Music, Suite: IV. Bourrée is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Water Music, Suite: IV. Bourrée by Hamburg State Philharmonic Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Minor, WAB 109 (Original Version): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Gürzenich Orchester Köln, François-Xavier Roth | C Major | 0 | 8B | 87 BPM | ||
Der Schatzgraber: Prologue: Andante | Franz Schreker, Josef Protschka, Gabrielle Schnaut, Harald Stamm, Peter Haage, Hans Helm, Heinz Kruse, Carl Schultz, Peter Galliard, Urban Malmberg, Franz Ferdinand Nentwig, Ude Krekow, Dieter Weller, Hamburg State Opera Chorus, Hamburg State Philharmonic Orchestra, Gerd Albrecht | D♭ Minor | 2 | 12A | 168 BPM | ||
Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino) | Jörn Arnecke, Maite Beaumont, Renate Spingler, Tomas Mowes, Moritz Gogg, Dieter Weller, Jürgen Sacher, Hamburg State Philharmonic Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 168 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Madama Butterfly, SC 74, Act I: Vogliatemi bene | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Minor | 4 | 11A | 80 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Jessonda, WoO 53, Act I: Act I: Recitative: Nadori! Du hast dem opfer dich entzogen? (Dandau, Nadori) | Louis Spohr, Hamburg State Philharmonic Orchestra, Kurt Moll, Thomas Moser, Gerd Albrecht | A Minor | 2 | 8A | 136 BPM | ||
Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto | Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle | C Minor | 2 | 5A | 89 BPM | ||
Variation I: Poco più animato | Johannes Brahms, SWR Symphony Orchestra, Michael Gielen | B♭ Major | 3 | 6B | 36 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: II. Des Helden Widersacher | Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare | F Major | 0 | 7B | 131 BPM |
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