Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino)
Jörn Arnecke, Maite Beaumont, Renate Spingler, Tomas Mowes, Moritz Gogg, Dieter Weller, Jürgen Sacher, Hamburg State Philharmonic Orchestra, Cornelius Meister
Arnecke, J.: Fest Im Meer (Das) [Opera]
9:36 November 17, 2009
BPM
168
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino) - Jörn Arnecke, Maite Beaumont, Renate Spingler, Tomas Mowes, Moritz Gogg, Dieter Weller, Jürgen Sacher, Hamburg State Philharmonic Orchestra, Cornelius Meister Information

Acousticness
95%
Danceability
32%
Energy
15%
Instrumentalness
0%
Liveness
15%
Loudness
67%
Speechiness
6%
Valence
24%
Popularity
Loudness
-19.919 dB

Summary

Jörn Arnecke, Maite Beaumont, Renate Spingler, Tomas Mowes, Moritz Gogg, Dieter Weller, Jürgen Sacher, Hamburg State Philharmonic Orchestra, Cornelius Meister's 'Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino)' came out on November 17, 2009. Since Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 20 in Arnecke, J.: Fest Im Meer (Das) [Opera] by Jörn Arnecke, Cornelius Meister. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino) BPM

The tempo marking of Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino) by Jörn Arnecke, Maite Beaumont, Renate Spingler, Tomas Mowes, Moritz Gogg, Dieter Weller, Jürgen Sacher, Hamburg State Philharmonic Orchestra, Cornelius Meister is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino) Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Veranderung der Sonate fur Klavier Op. 27-2 von Ludwig van Beethoven in Sonate fur Horn und Klavier, Op.95: 1. Adagio sostenuto by Giselher Klebe, 菊池洋子, Radek BaborakVeranderung der Sonate fur Klavier Op. 27-2 von Ludwig van Beethoven in Sonate fur Horn und Klavier, Op.95: 1. Adagio sostenutoGiselher Klebe, 菊池洋子, Radek BaborakE Minor09A99 BPM
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo by Dmitri Shostakovich, Leonard Bernstein, New York PhilharmonicSymphony No. 9 in E-Flat Major, Op. 70: IV. LargoDmitri Shostakovich, Leonard Bernstein, New York PhilharmonicF Major07B78 BPM
The Planets, Op. 32: VII. Neptune, the Mystic by Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks, Bavarian Radio ChorusThe Planets, Op. 32: VII. Neptune, the MysticGustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks, Bavarian Radio ChorusE Major012B54 BPM
Firebird Suite: Danse infernale by Igor Stravinsky, Zdeněk Košler, Slovak PhilharmonicFirebird Suite: Danse infernaleIgor Stravinsky, Zdeněk Košler, Slovak PhilharmonicD♭ Major13B90 BPM
The Dream of Gerontius, Op. 38, Pt. 2: I see not those false spirits by Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna StephanyThe Dream of Gerontius, Op. 38, Pt. 2: I see not those false spiritsEdward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna StephanyD Major010B85 BPM
Mercure: VII. Bain des Grâces by Erik Satie, Ronald Corp, New London OrchestraMercure: VII. Bain des GrâcesErik Satie, Ronald Corp, New London OrchestraD Major310B122 BPM
Suite For Sampler And Orchestra: Chaconne / Kantorloops by Heiner Goebbels, Peter Rundel, Junge Deutsche PhilharmonieSuite For Sampler And Orchestra: Chaconne / KantorloopsHeiner Goebbels, Peter Rundel, Junge Deutsche PhilharmonieF Minor14A82 BPM
Les 7 paroles du Christ: 1ère Parole - Les 7 paroles du Christ: 1ère Parole - "Pater, dimitte illis"Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold WickeB♭ Minor13A141 BPM
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to"Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail KrutikovB Major21B85 BPM
Carmina Burana / 3. Cour d'amours: Carmina Burana / 3. Cour d'amours: "Circa mea pectora"Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal DorátiE Minor39A86 BPM
ISRC
DEU240540066
Label
L-M Records/RCA Records

Section: 0.7666451930999756

End: 0.7743299007415771