Jörn Arnecke, Maite Beaumont, Renate Spingler, Tomas Mowes, Moritz Gogg, Dieter Weller, Jürgen Sacher, Hamburg State Philharmonic Orchestra, Cornelius Meister's 'Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino)' came out on November 17, 2009. Since Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 20 in Arnecke, J.: Fest Im Meer (Das) [Opera] by Jörn Arnecke, Cornelius Meister. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Das Fest im Meer: Act I Scene 2: Du sahst aus wie Nofretete (Nino, Gino) by Jörn Arnecke, Maite Beaumont, Renate Spingler, Tomas Mowes, Moritz Gogg, Dieter Weller, Jürgen Sacher, Hamburg State Philharmonic Orchestra, Cornelius Meister is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veranderung der Sonate fur Klavier Op. 27-2 von Ludwig van Beethoven in Sonate fur Horn und Klavier, Op.95: 1. Adagio sostenuto | Giselher Klebe, 菊池洋子, Radek Baborak | E Minor | 0 | 9A | 99 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 0 | 7B | 78 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks, Bavarian Radio Chorus | E Major | 0 | 12B | 54 BPM | ||
Firebird Suite: Danse infernale | Igor Stravinsky, Zdeněk Košler, Slovak Philharmonic | D♭ Major | 1 | 3B | 90 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: I see not those false spirits | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Mercure: VII. Bain des Grâces | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Suite For Sampler And Orchestra: Chaconne / Kantorloops | Heiner Goebbels, Peter Rundel, Junge Deutsche Philharmonie | F Minor | 1 | 4A | 82 BPM | ||
Les 7 paroles du Christ: 1ère Parole - "Pater, dimitte illis" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Wojciech Drabowicz, Mikhail Krutikov | B Major | 2 | 1B | 85 BPM | ||
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 3 | 9A | 86 BPM |
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