Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera's 'I'm a Stranger Here Myself' came out on April 7, 2017. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weill: Wanted. Songs of Kurt Weill by Kurt Weill, Dagmar Peckova. The song's track number on the album is #13 out of 15 tracks. Based on our data, Czechia was the country where this track was produced or recorded. In terms of popularity, I'm a Stranger Here Myself is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since I'm a Stranger Here Myself by Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With I'm a Stranger Here Myself being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vallflickans Dance (Dance of the Shepherdess from the ballet-pantomime Bergakungen, Op. 37) | Hugo Alfvén, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Major | 1 | 9B | 147 BPM | ||
Kleine Dreigroschenmusik: I. Overture | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B♭ Major | 2 | 6B | 91 BPM | ||
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
C'est mon ami | Marie Antoinette, Sandrine Chatron | F Major | 1 | 7B | 102 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Après Un Rêve Opus 7/1 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Dreigroschenoper: Zuhälterballade - Arr. für Saxophon, Streichquartett und Klavier | Kurt Weill, Asya Fateyeva, Florian Donderer, Emma Yoon, Yuko Hara, Tanja Tetzlaff, Stepan Simonian | C Major | 1 | 8B | 77 BPM | ||
Symphony No. 1, "Afro-American": I. Longing (Moderato assai) | William Grant Still, Fort Smith Symphony, John Jeter | A♭ Major | 0 | 4B | 81 BPM | ||
Schubert: Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | A♭ Minor | 1 | 1A | 74 BPM |
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