"Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana)" by Pietro Mascagni, Luciano Pavarotti, National Philharmonic Orchestra, Gianandrea Gavazzeni was released on January 1, 1978. With this song being about 5 minutes long, at 5:19, "Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana)" by Pietro Mascagni, Luciano Pavarotti, National Philharmonic Orchestra, Gianandrea Gavazzeni is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pietro Mascagni, Gianandrea Gavazzeni, Luciano Pavarotti, Julia Varady, Piero Cappuccilli, Ida Bormida, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra's "Mascagni: Cavalleria Rusticana" album is number 2 out of 16. The popularity of Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) by Pietro Mascagni, Luciano Pavarotti, National Philharmonic Orchestra, Gianandrea Gavazzeni to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Fortuna Imperatrix Mundi: "O Fortuna" - Live | Carl Orff, Wiener Philharmoniker, André Previn, Arnold Schoenberg Chor | D Minor | 4 | 7A | 134 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Romeo And Juliet, Op. 64: Dance Of The Knights (Arr. For Solo Violin And Orchestra By Tamás Batiashvili) | Sergei Prokofiev, Lisa Batiashvili, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 2 | 8B | 102 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Madama Butterfly - Act II | Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin | F♯ Major | 1 | 2B | 81 BPM | ||
Parla più piano | Nino Rota, Jonas Kaufmann, Asher Fisch, Palermo Teatro Massimo Orchestra | C Minor | 1 | 5A | 87 BPM | ||
Hymn of the Nations (Inno delle nazione) | Giuseppe Verdi, Luciano Pavarotti, Philharmonia Chorus, Philharmonia Orchestra, James Levine | A Minor | 2 | 8A | 168 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D♭ Minor | 2 | 12A | 117 BPM |
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