Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Michel Schwalbé, Wiener Singverein's 'Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Benedictus' came out on January 1, 1996. Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Benedictus appears to be safe for all ages as it is not explicit. The song is number 17 out of 21 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Benedictus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Benedictus by Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Michel Schwalbé, Wiener Singverein is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Amen - Quoniam tu solus sanctus | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Michel Schwalbé, Wiener Singverein | C Minor | 4 | 5A | 147 BPM | ||
Violin Concerto In D, Op. 61: III. Rondo. Allegro (Cadenza: Fritz Kreisler) - Live | Ludwig van Beethoven, Fritz Kreisler, Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | E Minor | 4 | 9A | 93 BPM | ||
Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH. 48: IV. Finale (Tema russo): Andante - Allegro con spirito | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 166 BPM | ||
Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | D♭ Major | 0 | 3B | 81 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Carmen / Act 3: Si tu m'aimes, Carmen... | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Minor | 1 | 3A | 85 BPM | ||
Dies Bildnis ist bezaubernd schön | Fritz Wunderlich | E♭ Major | 1 | 5B | 131 BPM | ||
Great Mass in C Minor, K. 427 (417a): I. Kyrie - Andante Moderato | Wolfgang Amadeus Mozart, Claudio Abbado, Berliner Philharmoniker | C Minor | 1 | 5A | 86 BPM | ||
Messa di Gloria, Op.posth.: Kyrie: Kyrie eleison, Christe eleison | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 1 | 8B | 65 BPM |
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