"Aida / Act 1: Quale insolita gioia" by Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado was released on January 1, 1982. The duration of Aida / Act 1: Quale insolita gioia is about 3 minutes long, at 3:11. Based on our data, "Aida / Act 1: Quale insolita gioia" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #4 out of 35 tracks. Based on our data, Germany was the country where this track was produced or recorded. Aida / Act 1: Quale insolita gioia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida / Act 1: Quale insolita gioia by Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aida / Act 1: Quale insolita gioia being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Otello, Act I: Act I: Fuoco di gioia! (Chorus) | Giuseppe Verdi, Oviedo Filarmonía, Orfeon Donostiarra, Los Peques del León de Oro, Friedrich Haider | E Minor | 0 | 9A | 172 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Maria Callas, Alceo Galliera, Philharmonia Orchestra | E Major | 0 | 12B | 87 BPM | ||
The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | C Major | 3 | 8B | 103 BPM | ||
Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
4 Sacred Pieces (Quattro pezzi sacri): Stabat Mater | Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch | C Major | 0 | 8B | 79 BPM | ||
Rigoletto, Act I: Figlia! Mio padre! | Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 82 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM |
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