Paul Hindemith, Glenn Gould's 'Sonata No. 2 for Piano: III. Sehr langsam - Ruhig - Remastered' came out on 1973. The duration of Sonata No. 2 for Piano: III. Sehr langsam - Ruhig - Remastered is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Sonata No. 2 for Piano: III. Sehr langsam - Ruhig - Remastered's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Glenn Gould's "Hindemith: Complete Piano Sonatas (Gould Remastered)" album is number 8 out of 13. On top of that, United States appears to be the country where this track was created. Sonata No. 2 for Piano: III. Sehr langsam - Ruhig - Remastered is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonata No. 2 for Piano: III. Sehr langsam - Ruhig - Remastered by Paul Hindemith, Glenn Gould to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": I. Adagio. Con moto | Leoš Janáček, Melos Quartet | E Major | 1 | 12B | 81 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
12 Variations on Handel's "See the Conqu'ring Hero Comes", WoO 45 (Arr. A.N. Tarkmann for Octet): Var. 4, — | Ludwig van Beethoven, Ludwig Chamber Players | E♭ Major | 0 | 5B | 99 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Toccata In D Minor, Op. 11: Allegro Marcato | Eteri Andjaparidze, Sergei Prokofiev | E Minor | 1 | 9A | 109 BPM | ||
Ibert: Flute Concerto: II. Andante | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester Zürich | D♭ Major | 1 | 3B | 54 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM |
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