Alexandra Coku, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen's 'La gara degli dei: No. 12, "Un cor si austero"' came out on April 26, 2013. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Heinichen: La gara degli dei" album is number 22 out of 27. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La gara degli dei: No. 12, "Un cor si austero" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La gara degli dei: No. 12, "Un cor si austero" by Alexandra Coku, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul, Op. 36: Part II, Scene VII, "Paulus sandte hin" (Recitative) | American Symphony Orchestra, Alexandra Coku, Paul Gay | F Major | 0 | 7B | 83 BPM | ||
Symphony No. 9 in D minor, 'Choral' Op. 125, IV.: Allegro assai: "Freude, Freude!" | Wolfgang Sawallisch, Peter Seiffert, Chor des Städt. Musikvereins zu Düsseldorf, Margaret Price, Marjana Lipovsek, Concertgebouworkest, Jan-Hendrik Rootering | D Major | 2 | 10B | 70 BPM | ||
Scipione Hwv 20 - Original Version: Scoglio d'immota fronte | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | D♭ Major | 3 | 3B | 129 BPM | ||
Tränen I | Eduard Marxsen, Anthony Spiri, Alexandra Coku | D Minor | 1 | 7A | 126 BPM | ||
Schubert: Mass in G Major, D. 167: Credo | Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ: "Im vollen Glanze steiget jetzt" | Franz Joseph Haydn, Fritz Wunderlich, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 61 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt | Johannes Brahms, Gerald Finley, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 1 | 8B | 124 BPM | ||
Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM |
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