- BPM
- 61
- Key
- D Major
- Camelot
- 10B
Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ: "Im vollen Glanze steiget jetzt" - Franz Joseph Haydn, Fritz Wunderlich, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan Information
- Acousticness
- 85%
- Danceability
- 19%
- Energy
- 11%
- Instrumentalness
- 0%
- Liveness
- 66%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 6%
- Loudness
- -15.37 dB
Summary
"Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ: "Im vollen Glanze steiget jetzt"" by Franz Joseph Haydn, Fritz Wunderlich, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1969. The duration of Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ: "Im vollen Glanze steiget jetzt" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ: "Im vollen Glanze steiget jetzt"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Die Schöpfung" album is number 13 out of 33. Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ: "Im vollen Glanze steiget jetzt" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ: "Im vollen Glanze steiget jetzt" BPM
We consider the tempo marking of Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ: "Im vollen Glanze steiget jetzt" by Franz Joseph Haydn, Fritz Wunderlich, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Die Schöpfung, Hob. XXI:2 / Erster Teil: 12. Rezitativ: "Im vollen Glanze steiget jetzt" Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | |
 | Eugene Onegin, Op. 24, TH 5: "Ja, ich lieb' Sie, Olga" | Pyotr Ilyich Tchaikovsky, Fritz Wunderlich, Brigitte Fassbaender, Orchester der Bayerischen Staatsoper München, Otto Gerdes | D Major | 0 | 10B | 146 BPM | |
| Eugene Onegin, Op. 24, TH 5: "Sag, wer von beiden ist Tatjana" | Pyotr Ilyich Tchaikovsky, Evelyn Lear, Brigitte Fassbaender, Fritz Wunderlich, Dietrich Fischer-Dieskau, Orchester der Bayerischen Staatsoper München, Otto Gerdes | E♭ Major | 1 | 5B | 75 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | |
 | Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | |
 | Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Dietrich Henschel, Michael Schade, Concentus Musicus Wien | B Minor | 1 | 10A | 81 BPM | |
 | Dichterliebe, Op.48: 6. Im Rhein, im heiligen Strome | Robert Schumann, Fritz Wunderlich, Hubert Giesen | E Minor | 1 | 9A | 71 BPM | |
 | Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Presto | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 0 | 6B | 120 BPM | |
 | Canon and Gigue in D major - arr. Max Seiffert: 1. Canon | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 92 BPM | |
 | Grande Messe des Morts: IX. Sequentia: Mors stupebit - Allegro | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Major | 2 | 9B | 89 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6515989303588867
End: 0.6563687324523926