Robert Schumann, Fritz Wunderlich, Hubert Giesen made "Dichterliebe, Op.48: 6. Im Rhein, im heiligen Strome" available on January 1, 1997. With Dichterliebe, Op.48: 6. Im Rhein, im heiligen Strome being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Schumann: Dichterliebe / Beethoven & Schubert: Lieder". In this album, this song's track order is #6. Dichterliebe, Op.48: 6. Im Rhein, im heiligen Strome is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dichterliebe, Op.48: 6. Im Rhein, im heiligen Strome by Robert Schumann, Fritz Wunderlich, Hubert Giesen having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka No.18 In C Minor Op.30 No.1 | Frédéric Chopin, Vladimir Ashkenazy | C Minor | 0 | 5A | 138 BPM | ||
La traviata / Act I: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 4 | 4B | 91 BPM | ||
Mozart: Così fan tutte, K. 588, Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) | Wolfgang Amadeus Mozart, Karl Böhm, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E Major | 1 | 12B | 124 BPM | ||
4 Lieder, Op. 2: No. 1, Erwartung | Arnold Schoenberg, Claire Booth, Christopher Glynn | D Major | 0 | 10B | 66 BPM | ||
Elijah, Op. 70, MWV A25: Part II: Quartet: Wohlan, alle die ihr durstig seid (Soprano, Alto, Tenor, Bass) | Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | E♭ Minor | 7 | 2A | 129 BPM | ||
Songs Of Travel: 8. Bright Is The Ring Of Words | Ralph Vaughan Williams, Bryn Terfel, Malcolm Martineau | C Major | 0 | 8B | 92 BPM | ||
6 Bagatelles for Piano, Op. 97: Humoristischer Marsch, No. 4 | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 132 BPM | ||
Der Freischütz, J. 277 / Act 2: "Wie nahte mir der Schlummer" - "Leise, leise, fromme Weise!" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | E Minor | 1 | 9A | 96 BPM | ||
All-night Vigil, Op. 37, "Vespers": Come, let us worship | Sergei Rachmaninoff, Eugen Antoni, Raisa Palmu, Erja Wimeri, Finnish National Opera Chorus, Eric-Olof Söderström | G Minor | 2 | 6A | 100 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM |
Section: 0.5546503067016602
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