Nicol Matt, Heike Hümmer, Robert Sagasser, Martina Rotbauer, Jens Wollenschläger, Jörg Halobek, Nordic Chamber Choir, Johann Sebastian Bach, Ute Petersilge, Soloists Of The Freiburger Barockorchester's 'Durch Adams Fall Ist Ganz Verderbt, Cantate Bwv 18' came out on March 28, 2007. With Durch Adams Fall Ist Ganz Verderbt, Cantate Bwv 18 being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 38 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Durch Adams Fall Ist Ganz Verderbt, Cantate Bwv 18 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Durch Adams Fall Ist Ganz Verderbt, Cantate Bwv 18 by Nicol Matt, Heike Hümmer, Robert Sagasser, Martina Rotbauer, Jens Wollenschläger, Jörg Halobek, Nordic Chamber Choir, Johann Sebastian Bach, Ute Petersilge, Soloists Of The Freiburger Barockorchester is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Weltliche A-Cappella-Gesänge, Secular A-Cappella Choral Works Op. 42: 1. Abenständchen | Chamber Choir Of Europe, Jürgen Meier, Johannes Brahms, Reinhard Geller, Nicol Matt | G Major | 2 | 9B | 81 BPM | ||
Mit Fried und Freud ich fahr dahin, BWV 382 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | D♭ Minor | 1 | 12A | 78 BPM | ||
Deutsche Messe, D. 872: Schlussgesang: Nicht zu langsam | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 2, Chor "Mich vom Stricke meiner Sünden" (Chor gläubiger Seelen) | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E Minor | 3 | 9A | 139 BPM | ||
テレマン: フルート、シャリュモー、オーボエと2台のコントラバスのための協奏曲 ト長調 〜第3楽章 | Georg Philipp Telemann, 有田正広, ラ・ストラヴァガンツァ・ケルン | F♯ Major | 5 | 2B | 136 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: III. Allegro | Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt | C Major | 4 | 8B | 109 BPM | ||
Wie schön leuchtet der Morgenstern, BWV 436 | Johann Sebastian Bach, Ophira Zakai, Vocalconsort Berlin, Daniel Reuss, Elina Albach | A Minor | 1 | 8A | 87 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM |
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