Claudio Monteverdi, The Sixteen, Harry Christophers's 'Vespers of 1610, Magnificat (High): Fecit potentiam' came out on September 29, 2014. With Vespers of 1610, Magnificat (High): Fecit potentiam being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Claudio Monteverdi, The Sixteen, Harry Christophers's "Monteverdi: Vespers of 1610" album is number 6 out of 37. Vespers of 1610, Magnificat (High): Fecit potentiam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers of 1610, Magnificat (High): Fecit potentiam by Claudio Monteverdi, The Sixteen, Harry Christophers to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Magnificat in G Minor, RV 610: I. Magnificat | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | F♯ Minor | 2 | 11A | 79 BPM | ||
La giovinetta pianta: La giovinetta pianta | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | E Minor | 1 | 9A | 71 BPM | ||
Stabat Mater: Fac me plagis vulnerary | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | B♭ Major | 2 | 6B | 66 BPM | ||
L'Orfeo, Atto secondo: III. Ahi, caso acerbo! | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Sara Mingardo, Francesc Garrigosa, Carlos Mena, Le Concert Des Nations | G Major | 0 | 9B | 73 BPM | ||
Cantata II: Ad genua (To the Knees): Quid sum tibi responsurus - Alto | The Sixteen | D Major | 0 | 10B | 64 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers | B♭ Major | 1 | 6B | 107 BPM | ||
Ruggiero | Tarquinio Merula, Jordi Savall | G Major | 3 | 9B | 148 BPM | ||
Le temps: Air pour l'Este et ses Suivants | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 115 BPM | ||
Ludi Musici: Courant Dolorosa | Samuel Scheidt, Jordi Savall | A Major | 1 | 11B | 48 BPM | ||
Intermedes de Xerxes: 2e Air pour les postures de Scaramouche | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 88 BPM |
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