Vespers of 1610, Magnificat (High): Fecit potentiam
Claudio Monteverdi, The Sixteen, Harry Christophers
Monteverdi: Vespers of 1610
0:59 September 29, 2014
BPM
86
Key
F Major
Camelot
7B

Embed

Share Link

Vespers of 1610, Magnificat (High): Fecit potentiam - Claudio Monteverdi, The Sixteen, Harry Christophers Information

Acousticness
96%
Danceability
30%
Energy
3%
Instrumentalness
0%
Liveness
14%
Loudness
56%
Speechiness
4%
Valence
37%
Popularity
Loudness
-26.56 dB

Summary

Claudio Monteverdi, The Sixteen, Harry Christophers's 'Vespers of 1610, Magnificat (High): Fecit potentiam' came out on September 29, 2014. With Vespers of 1610, Magnificat (High): Fecit potentiam being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Claudio Monteverdi, The Sixteen, Harry Christophers's "Monteverdi: Vespers of 1610" album is number 6 out of 37. Vespers of 1610, Magnificat (High): Fecit potentiam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vespers of 1610, Magnificat (High): Fecit potentiam BPM

We consider the tempo marking of Vespers of 1610, Magnificat (High): Fecit potentiam by Claudio Monteverdi, The Sixteen, Harry Christophers to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Vespers of 1610, Magnificat (High): Fecit potentiam Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Vivaldi: Magnificat in G Minor, RV 610: I. Magnificat by Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen CleoburyVivaldi: Magnificat in G Minor, RV 610: I. MagnificatAntonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen CleoburyF♯ Minor211A79 BPM
La giovinetta pianta: La giovinetta pianta by Claudio Monteverdi, Delitiæ Musicæ, Marco LonghiniLa giovinetta pianta: La giovinetta piantaClaudio Monteverdi, Delitiæ Musicæ, Marco LonghiniE Minor19A71 BPM
Stabat Mater: Fac me plagis vulnerary by Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego FasolisStabat Mater: Fac me plagis vulneraryAgostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego FasolisB♭ Major26B66 BPM
L'Orfeo, Atto secondo: III. Ahi, caso acerbo! by Claudio Monteverdi, Jordi Savall, Furio Zanasi, Sara Mingardo, Francesc Garrigosa, Carlos Mena, Le Concert Des NationsL'Orfeo, Atto secondo: III. Ahi, caso acerbo!Claudio Monteverdi, Jordi Savall, Furio Zanasi, Sara Mingardo, Francesc Garrigosa, Carlos Mena, Le Concert Des NationsG Major09B73 BPM
Cantata II: Ad genua (To the Knees): Quid sum tibi responsurus - Alto by The SixteenCantata II: Ad genua (To the Knees): Quid sum tibi responsurus - AltoThe SixteenD Major010B64 BPM
The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now by Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry ChristophersThe Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising NowJoseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry ChristophersB♭ Major16B107 BPM
Ruggiero by Tarquinio Merula, Jordi SavallRuggieroTarquinio Merula, Jordi SavallG Major39B148 BPM
Le temps: Air pour l'Este et ses Suivants by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe temps: Air pour l'Este et ses SuivantsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Minor011A115 BPM
Ludi Musici: Courant Dolorosa by Samuel Scheidt, Jordi SavallLudi Musici: Courant DolorosaSamuel Scheidt, Jordi SavallA Major111B48 BPM
Intermedes de Xerxes: 2e Air pour les postures de Scaramouche by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonIntermedes de Xerxes: 2e Air pour les postures de ScaramoucheJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonD♭ Major03B88 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6518487930297852

End: 0.6579558849334717