- BPM
- 107
- Key
- B♭ Major
- Camelot
- 6B
The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now - Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers Information
- Acousticness
- 98%
- Danceability
- 50%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 42%
- Popularity
- 1%
- Loudness
- -22.612 dB
Summary
Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers made "The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now" available on 2015. The duration of The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Handel & Haydn Society, Harry Christophers's "Haydn: The Creation & The Paris Symphonies" album is number 13 out of 56. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now BPM
We consider the tempo marking of The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now by Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The Creation, Hob.XXI,2: Pt. 1, In Splendour Bright is Rising Now Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers | C Major | 2 | 8B | 102 BPM | |
 | Mass in B Minor, BWV 232: Benedictus: Osanna in excelsis (Chorus) | Johann Sebastian Bach, Robin Blaze, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D♭ Major | 3 | 3B | 179 BPM | |
 | Jephtha, HWV 70, Act III: Waft Her, Angels, Through the Skies | George Frideric Handel, Anthony Rolfe Johnson, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 78 BPM | |
 | Così fan tutte, K. 588: Act 1: Duetto "Ah Guarda, Sorella" | Wolfgang Amadeus Mozart, Concerto Köln, Bernarda Fink, Véronique Gens, René Jacobs | A Major | 1 | 11B | 68 BPM | |
 | Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Ecco un nuovo tormento! | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Bernarda Fink, Veronica Cangemi | A♭ Major | 1 | 4B | 175 BPM | |
 | Die Schöpfung, Hob. XXI:2 / Dritter Teil: 32. Duett: "Holde Gattin, dir zur Seite - Der tauende Morgen" | Franz Joseph Haydn, Gundula Janowitz, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 117 BPM | |
| Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | |
 | Verdi: Messa da Requiem: XV. Agnus Dei | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | |
 | Vivaldi: Orlando finto pazzo, RV 727: "Alla rosa ruggiadosa" (Grifone) | Antonio Vivaldi, Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | F♯ Major | 1 | 2B | 121 BPM | |
| Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" | Franz Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 101 BPM |
- ISRC
- GBEJP1513513
- Label
- L-M Records/RCA Records
Section: 0.6629636287689209
End: 0.6672730445861816