- BPM
- 102
- Key
- C Major
- Camelot
- 8B
The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds - Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers Information
- Acousticness
- 92%
- Danceability
- 58%
- Energy
- 24%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 71%
- Speechiness
- 7%
- Valence
- 34%
- Popularity
- 2%
- Loudness
- -17.199 dB
Summary
Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers's 'The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds' came out on 2015. With The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joseph Haydn, Handel & Haydn Society, Harry Christophers's "Haydn: The Creation & The Paris Symphonies" album is number 5 out of 56. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds BPM
We consider the tempo marking of The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Mozart: Mass in C Minor, K. 427, "Great Mass": Quoniam | Wolfgang Amadeus Mozart, Louis Langrée, Denis Comtet, Le Choeur du Concert d'Astrée, Natalie Dessay, Topi Lehtipuu, Véronique Gens, Yves Castagnet, Le Concert d'Astrée | C Minor | 0 | 5A | 112 BPM | |
 | Vivaldi: Magnificat in G Minor, RV 611: VIII. Esurientes (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, Lucia Valentini Terrani, New Philharmonia Orchestra | D Minor | 1 | 7A | 146 BPM | |
 | Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: IV. Domine Deus | Gioachino Rossini, Marcus Creed, Steve Davislim, RIAS Kammerchor | D Major | 1 | 10B | 125 BPM | |
 | Mass No.2 in G Major, D.167: II. Gloria | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | |
 | Israel In Egypt, HWV 54: I Will Sing Unto The Lord (Chorus) | George Frideric Handel, The Sixteen, Harry Christophers | B Major | 4 | 1B | 102 BPM |
- ISRC
- GBEJP1513505
- Label
- L-M Records/RCA Records
Section: 0.5997738838195801
End: 0.6166214942932129