Intermedes de Xerxes: 2e Air pour les postures de Scaramouche - Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon Information

Acousticness: 89%
Danceability: 11%
Energy: 0%
Instrumentalness: 0%
Liveness: 9%
Loudness: 41%
Speechiness: 4%
Valence: 11%
Popularity: 8%
Loudness: -35.684 dB

Summary

"Intermedes de Xerxes: 2e Air pour les postures de Scaramouche" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. The duration of Intermedes de Xerxes: 2e Air pour les postures de Scaramouche is about 3 minutes long, at 3:15. Based on our data, "Intermedes de Xerxes: 2e Air pour les postures de Scaramouche" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 15 out of 35. Intermedes de Xerxes: 2e Air pour les postures de Scaramouche is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Intermedes de Xerxes: 2e Air pour les postures de Scaramouche BPM

We consider the tempo marking of Intermedes de Xerxes: 2e Air pour les postures de Scaramouche by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Intermedes de Xerxes: 2e Air pour les postures de Scaramouche Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Folias echa para mi Señora Doña Tarolilla de Carallenos	Andrea Falconieri, London Baroque	B Major	3	1B	78 BPM
Dialogue	Louis Couperin, London Baroque	B Major	2	1B	101 BPM
Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro	William Boyce, Aradia Ensemble, Kevin Mallon	B Major	2	1B	119 BPM
Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: II. Allegro	Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra	F♯ Major	0	2B	185 BPM
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": II. Allaman	Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia	A♭ Major	1	4B	82 BPM
Balletto à 3 in G Major, Op. 3 No. 3: II. Allemanda. Allegro	Tomaso Albinoni, London Baroque	D♭ Minor	2	12A	138 BPM
Dixit Dominus: Allegro	Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon	B Minor	4	10A	119 BPM
Concerto a cinque No. 3, Op. 7: III. Allegro	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	A Major	3	11B	120 BPM
Purcell : King Arthur : Act 5 Symphony	William Christie	B♭ Major	1	6B	86 BPM
Symphony in B Minor, Brown Bm1: I. Allegro maestoso e con garbo	Karl von Ordóñez, Toronto Chamber Orchestra, Kevin Mallon	F Major	0	7B	80 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.505810022354126

End: 0.5106234550476074