"Three Tone Pictures for Orchestra "I Vadestena kolster": III. Procession" by Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors was released on 1997. With this song being about 5 minutes long, at 5:28, "Three Tone Pictures for Orchestra "I Vadestena kolster": III. Procession" by Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 7 in Bengtsson: "Vettern" - Symphony No.1 - "I Vadstena Kloster" by Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors. Three Tone Pictures for Orchestra "I Vadestena kolster": III. Procession is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three Tone Pictures for Orchestra "I Vadestena kolster": III. Procession by Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roman tanc (Romanian Dance), BB 61 | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | B Minor | 1 | 10A | 99 BPM | ||
Concerto for Flute and Orchestra: II. Andante | Jacques Ibert, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | D♭ Major | 0 | 3B | 67 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Main Theme - From Le Notti Bianche,1957 | Nino Rota | B Minor | 1 | 10A | 78 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | G Major | 2 | 9B | 77 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: III. Finale. Allegro vivace e grazioso | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | C Major | 1 | 8B | 64 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VI. Allegro assai | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Symphony No. 1 in C Minor, Op. 6: I. Allegro moderato | Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors | C Minor | 1 | 5A | 100 BPM |
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