"Pièces de viole du Troisième Livre, suite VII en sol majeur: La Guitare [107] (1711)" by Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman was released on September 27, 2011. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 10 out of 83. The popularity of Pièces de viole du Troisième Livre, suite VII en sol majeur: La Guitare [107] (1711) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole du Troisième Livre, suite VII en sol majeur: La Guitare [107] (1711) by Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Couplets | Monsieur de Sainte-Colombe, Hille Perl | D♭ Minor | 0 | 12A | 123 BPM | ||
Flag of Fire | Traditional, Hille Perl, Marthe Perl | D♭ Major | 0 | 3B | 107 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Der Fluyten Lust-Hof: 130. Lavolette | Jacob van Eyck, Lucie Horsch | B Major | 0 | 1B | 62 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Forqueray, A: Pèces de viole, Suite No. 5 en ut mineur: VII. Jupiter. Modérément | Antoine Forqueray, Jean Rondeau | G Major | 3 | 9B | 101 BPM | ||
Suite in E Minor, BWV 996: V. Bourée | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Fantasia in C Minor*: Fantasy in C Minor | Silvius Leopold Weiss, Jakob Lindberg | B♭ Major | 0 | 6B | 94 BPM | ||
Miserere: IV. Redde mihi laetitiam | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 174 BPM | ||
[Suite en la majeur]: XII. La Babillarde (No. 29) & Double (No. 30) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 92 BPM |
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