Sergei Prokofiev, Slovak State Philharmonic Orchestra, Andrew Mogrelia's 'Lieutenant Kije Suite, Op. 60: IV. Troika (Featured in the Film "Love and Death")' came out on March 22, 2024. The duration of Lieutenant Kije Suite, Op. 60: IV. Troika (Featured in the Film "Love and Death") is about 3 minutes long, at 3:04. Based on our data, "Lieutenant Kije Suite, Op. 60: IV. Troika (Featured in the Film "Love and Death")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "The Essential Slovak State Philharmonic Orchestra". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. The popularity of Lieutenant Kije Suite, Op. 60: IV. Troika (Featured in the Film "Love and Death") is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lieutenant Kije Suite, Op. 60: IV. Troika (Featured in the Film "Love and Death") by Sergei Prokofiev, Slovak State Philharmonic Orchestra, Andrew Mogrelia having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Romeo and Juliet, Op.64 - Act 3: Juliet Alone | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 118 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
The Gambler - original version - Act 3: Hello, Alexey Ivanovich | Sergei Prokofiev, Elena Obraztsova, Ljuba Kazarnovskaya, Vladimir Galusin, Mariinsky Orchestra, Valery Gergiev | D Major | 8 | 10B | 133 BPM |
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