"VI. Solo Cadenza" by Andrea Tarrodi, Peter Friis Johansson, Gothenburg Symphony Orchestra, Ryan Bancroft was released on November 4, 2022. With this song being about 5 minutes long, at 4:40, "VI. Solo Cadenza" by Andrea Tarrodi, Peter Friis Johansson, Gothenburg Symphony Orchestra, Ryan Bancroft is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Netzel, Sandström & Tarrodi: Piano Concertos". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Sweden. VI. Solo Cadenza is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With VI. Solo Cadenza by Andrea Tarrodi, Peter Friis Johansson, Gothenburg Symphony Orchestra, Ryan Bancroft having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto: I. Aniri | Unsuk Chin, Berliner Philharmoniker, Myung-Whun Chung, Alban Gerhardt | D♭ Major | 1 | 3B | 86 BPM | ||
12 Pieces for Piano: No. 1, January. Allegro | Andrea Tarrodi, Ann-Sofi Klingberg | B♭ Major | 0 | 6B | 135 BPM | ||
Hedwig's Theme | Felix Klieser, Wiener Concert-Verein | C Minor | 2 | 5A | 134 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): II. Otoño Poteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
The Firebird Suite, K010, (1945 Version): X. Infernal dance of King Kashchei | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | A Major | 3 | 11B | 113 BPM | ||
Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 0 | 4A | 70 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM |
Section: 0.636915922164917
End: 0.6541659832000732