"Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 4, Storm" by Benjamin Britten, André Previn, London Symphony Orchestra was released on January 1, 1976. With this song being about 5 minutes long, at 4:35, "Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 4, Storm" by Benjamin Britten, André Previn, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 8 in Britten: Four Sea Interludes, Passacaglia from Peter Grimes & Sinfonia da Requiem by Benjamin Britten, André Previn, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 4, Storm is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 4, Storm by Benjamin Britten, André Previn, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Major | 1 | 1B | 120 BPM | ||
Enigma Variations: Variation XIII. Romanza (***) - Moderato | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Appalachian Spring - 1945 Suite: 6. Meno mosso | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A♭ Major | 0 | 4B | 66 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
Jeux d'enfants, Op. 22: I. March | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 132 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Die Walküre, WWV 86B / Act I: Orchestervorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 127 BPM |
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