"Appalachian Spring - 1945 Suite: 6. Meno mosso" by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta was released on January 1, 1996. With Appalachian Spring - 1945 Suite: 6. Meno mosso being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 30 in Copland: Appalachian Spring; Lincoln Portrait; Fanfare; Rodeo, etc. by Aaron Copland, Zubin Mehta, Antal Doráti, Sir Neville Marriner, Traditional. Appalachian Spring - 1945 Suite: 6. Meno mosso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring - 1945 Suite: 6. Meno mosso by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wein, Weib und Gesang, Walzer, Op. 333 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 1 | 6B | 101 BPM | ||
"West Side Story" - Symphonic Dances: IV. Mambo - Live | Leonard Bernstein, Los Angeles Philharmonic | C Major | 1 | 8B | 117 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | C Major | 3 | 8B | 166 BPM | ||
Delius: 2 Aquarelles: No. 2, Gaily, But Not Quick (Arr. Fenby for String Orchestra) | Frederick Delius, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Elektromagnetische Polka, Op. 110 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | G Major | 3 | 9B | 90 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): VIII. General Dance of Enthusiasm and Apotheosis (Finale) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 6 | 6B | 86 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM |
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