"6 Lieder for mezzo-soprano/baritone, violin and piano: No. 4 Erlkönig "Wer reitet so spät"" by Louis Spohr, Anne Sofie von Otter, Melvyn Tan, Nils-Erik Sparf was released on January 1, 2001. The duration of 6 Lieder for mezzo-soprano/baritone, violin and piano: No. 4 Erlkönig "Wer reitet so spät" is about 3 minutes long, at 3:20. Based on our data, "6 Lieder for mezzo-soprano/baritone, violin and piano: No. 4 Erlkönig "Wer reitet so spät"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 23 in Beethoven / Meyerbeer / Spohr: Lieder by Anne Sofie von Otter, Melvyn Tan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, 6 Lieder for mezzo-soprano/baritone, violin and piano: No. 4 Erlkönig "Wer reitet so spät"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Lieder for mezzo-soprano/baritone, violin and piano: No. 4 Erlkönig "Wer reitet so spät" by Louis Spohr, Anne Sofie von Otter, Melvyn Tan, Nils-Erik Sparf is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Winterreise, D.911: 19. Täuschung | Franz Schubert, Mischa Maisky, Daria Hovora | E Major | 0 | 12B | 73 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Wieniawski: 8 Etudes-Caprices, Op. 18: No. 1 in G Minor | Henryk Wieniawski, Itzhak Perlman | G Minor | 1 | 6A | 79 BPM | ||
Sonata in G Minor: II. Courante: Allegro con spirito | Henry Eccles, Amit Peled, Eliza Ching | G Minor | 2 | 6A | 127 BPM | ||
Concerto For 2 Harpsichords, Strings, And Continuo In C Minor, BWV 1060 - Arr. For Violin, Oboe, Strings & Continuo: 1. Allegro | Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Minor | 4 | 5A | 102 BPM | ||
Flute Sonata in C Major, BWV 1033: II. Allegro | Johann Sebastian Bach, Petri Alanko, Jukka Rautasalo | G Minor | 5 | 6A | 120 BPM | ||
Piano Trio No. 4 in B-Flat Major, Op. 133: I. Allegro | Louis Spohr, Beethoven Trio Ravensburg | F Major | 1 | 7B | 74 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |
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