"Requiem in D Minor, Op. 48: V. Agnus Dei" by Gabriel Fauré, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner was released on July 6, 2018. Requiem in D Minor, Op. 48: V. Agnus Dei is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 5 out of 17 in Faure: Requiem; Orchestral Works by Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Requiem in D Minor, Op. 48: V. Agnus Dei's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem in D Minor, Op. 48: V. Agnus Dei by Gabriel Fauré, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | D Major | 2 | 10B | 90 BPM | ||
Rejoice in the Lamb, Op. 30: No. 1c, Hallelujah | Benjamin Britten, David Dunnett, Norwich Cathedral Choir, Ashley Grote | F Major | 0 | 7B | 0 BPM | ||
The day thou gavest | Clement Cotterill Scholefield, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM | ||
Borodin: String Quartet No. 2 in D Major: III. Notturno (Excerpt) | Alexander Borodin, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Die Schopfung (The Creation), Hob.XXI:2: Trio: Die Himmel erzahlen die Ehre Gottes (Chorus, Soprano, Tenor, Bass) | Franz Joseph Haydn, Christine Schäfer, Michael Schade, Andreas Schmidt, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 3 | 8B | 108 BPM | ||
Magnificat in D Major, BWV 243: III. Quia respexit humilitatem | Johann Sebastian Bach, Barbara Schlick, Philippe Herreweghe, La Chapelle Royale | E Major | 5 | 12B | 110 BPM | ||
Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 72 BPM | ||
Telemann: Trumpet Concerto, TWV 51:D7: I. Adagio | Georg Philipp Telemann, Alison Balsom, Balsom Ensemble | D♭ Major | 1 | 3B | 65 BPM | ||
Requiem, Op. 48: 3. Sanctus | Gabriel Fauré, Choir of St. John's College, Cambridge, Stephen Cleobury, Academy of St. Martin in the Fields, George Guest | D Minor | 0 | 7A | 170 BPM | ||
Tomorrow shall be my dancing day [1997] | John Gardner, Stephen Cleobury, Choir of King's College, Cambridge | D Major | 2 | 10B | 103 BPM |
Section: 0.978269100189209
End: 0.9861536026000977