On 1990, the song "Magnificat in D Major, BWV 243: III. Quia respexit humilitatem" was released by Johann Sebastian Bach, Barbara Schlick, Philippe Herreweghe, La Chapelle Royale. The duration of Magnificat in D Major, BWV 243: III. Quia respexit humilitatem is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Magnificat in D Major, BWV 243: III. Quia respexit humilitatem's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 20 in Bach: Magnificat; Cantata No. 80 by Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Magnificat in D Major, BWV 243: III. Quia respexit humilitatem is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Magnificat in D Major, BWV 243: III. Quia respexit humilitatem by Johann Sebastian Bach, Barbara Schlick, Philippe Herreweghe, La Chapelle Royale is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244 / Erster Teil: No. 8 "Blute nur, du liebes Herz" | Johann Sebastian Bach, Ann Monoyios, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 0 | 3A | 86 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Messiah: Part 2, Behold the lamb of God (Chorus) | The Sixteen | F♯ Minor | 2 | 11A | 69 BPM | ||
En natus est Emanuel | Michael Praetorius, Peter Kopp, Vocal Concert Dresden | F Major | 1 | 7B | 120 BPM | ||
In the Bleak Midwinter (Arr. Kanneh-Mason) | Gustav Holst, Sheku Kanneh-Mason, Isata Kanneh-Mason | F Major | 0 | 7B | 75 BPM | ||
Les anges dans nos campagnes (Arr. Tobias Frank) | Traditional, Ora Singers, Suzi Digby | A Major | 1 | 11B | 81 BPM | ||
Gloria, R. 589: Et in terra pax hominibus | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 59 BPM | ||
Mozart: Mass No. 15 in C Major, K. 317, "Coronation Mass": V. Benedictus. Allegretto - Allegro assai (Soprano, Alto, Tenor, Bass) | Wolfgang Amadeus Mozart, Peter Neumann/Collegium Cartusianum Köln/Kölner Kammerchor/Patrizia Kwella/Ulla Groenewold/Christoph Prégardien/Franz-Josef Selig, Peter Neumann, Collegium Cartusianum | E♭ Major | 0 | 5B | 91 BPM | ||
Dancing Lights | Alexis Ffrench | A Minor | 1 | 8A | 51 BPM | ||
Cantata, BWV 147: Jesu, Joy of Man's Desiring | The City of Prague Philharmonic Orchestra, Richard Hein, The City of Prague Choir | G Major | 3 | 9B | 68 BPM |
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