"Les contes d'Hoffman: Belle nuit, ô nuit d'amour (Barcarolle)" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Santina Lanza, Margherita Settimo was released on May 15, 2012. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #24. Based on our statistics, Les contes d'Hoffman: Belle nuit, ô nuit d'amour (Barcarolle)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les contes d'Hoffman: Belle nuit, ô nuit d'amour (Barcarolle) by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Santina Lanza, Margherita Settimo having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
Falstaff: Dal labbro il canto estasiato vola | Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Alessandro Dimasi | A♭ Major | 1 | 4B | 176 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 70 BPM | ||
Strauss II, J: An der schönen blauen Donau, Op. 314 | Johann Strauss II, Concertgebouworkest, Nikolaus Harnoncourt | D Major | 2 | 10B | 67 BPM | ||
Fritz Kreisler: Preludio e Allegro nello stile di Pugnani | Fritz Kreisler, Uto Ughi | E Minor | 3 | 9A | 107 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | C Major | 4 | 8B | 115 BPM | ||
Sinfonia | Gioachino Rossini, Riccardo Chailly | E Major | 2 | 12B | 92 BPM | ||
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
Voglio Vivere Così | Giovanni D'Anzi, Luciano Pavarotti, Henry Mancini, Unknown Orchestra | G Major | 4 | 9B | 89 BPM | ||
Non ti scordar di me (Arr. Mancini) | Ernesto de Curtis, Luciano Pavarotti, Henry Mancini | A Major | 3 | 11B | 86 BPM |
Section: 0.7510414123535156
End: 0.7570545673370361