"Requiem: VI. Vox in Rama" by Andrew Smith, Nidarosdomens jentekor, Trygve Seim, Ståle Storløkken, Anita Brevik, TrondheimSolistene was released on November 25, 2018. Requiem: VI. Vox in Rama is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The track order of this song in Andrew Smith, Nidarosdomens jentekor, TrondheimSolistene, Trygve Seim, Anita Brevik's "Lux" album is number 7 out of 11. On top of that, Norway appears to be the country where this track was created. Requiem: VI. Vox in Rama is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: VI. Vox in Rama by Andrew Smith, Nidarosdomens jentekor, Trygve Seim, Ståle Storløkken, Anita Brevik, TrondheimSolistene to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dypt heller året | Paul Hellmuth, Carl Nielsen, Caspar Johannes Boye, Uranienborg Vokalensemble, Elisabeth Holte | A♭ Major | 0 | 4B | 87 BPM | ||
Wings (Version for Mixed Choir) | Toru Takemitsu, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 73 BPM | ||
Anton Bruckner: Ave Maria: Anton Bruckner:Ave Maria | Peter Dijkstra, Bavarian Radio Chorus | F Major | 0 | 7B | 136 BPM | ||
Libera Me (The Priory School) | Gabrieli String Quartet, Kenneth Sillito, Leslie Pearson, Neil Black | D♭ Major | 0 | 3B | 177 BPM | ||
Nunc avemus et laudemus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Seven Sounds Unseen: No. 3. — | Robert Moran, Musica Sacra, Richard Westenburg | D Major | 1 | 10B | 78 BPM | ||
Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 126 BPM | ||
Toutes Les Nuitz | Orlande de Lassus, The King's Singers | G Minor | 0 | 6A | 79 BPM | ||
St. Matthew Passion, BWV 244: No. 72. Chorale: Wenn ich einmal soll scheiden | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | E♭ Major | 1 | 5B | 99 BPM |
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