"Carnival of the Animals, R. 125: II. Hens & Cockerels" by Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard was released on July 2, 1990. With Carnival of the Animals, R. 125: II. Hens & Cockerels being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 15 in the song's album "Prokofiev: Peter and the Wolf - Saint-Saëns: Carnival of the Animals". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Carnival of the Animals, R. 125: II. Hens & Cockerels's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carnival of the Animals, R. 125: II. Hens & Cockerels by Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quintet In A Major Trout - Adante - Tema con varianzioni (Excerpt) | The Jane Austen Era | D Major | 0 | 10B | 112 BPM | ||
Pictures at an Exhibition: Ballet of the unhatched chicks | Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 1 | 3B | 176 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Carnival of the Animals, R. 125: II. Hens & Cockerels | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 140 BPM | ||
Die Liebe zu den drei Orangen, Op. 33: Marsch | Slowakisches Radio-Symphonieorchester Bratislava, Ondrej Lenard | G Major | 1 | 9B | 86 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: No. 16, Anitra's Dance | Edvard Grieg, Sir Thomas Beecham, Royal Philharmonic Orchestra | A Major | 2 | 11B | 95 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM |
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