Marco Uccellini, Nicholas McGegan, The Arcadian Academy's 'Sonate, arie et correnti, Op. 3: Aria IX, "L'Emenfrodito"' came out on November 10, 1993. The duration of Sonate, arie et correnti, Op. 3: Aria IX, "L'Emenfrodito" is about 3 minutes long, at 3:27. Based on our data, "Sonate, arie et correnti, Op. 3: Aria IX, "L'Emenfrodito"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Based on our statistics, Sonate, arie et correnti, Op. 3: Aria IX, "L'Emenfrodito"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sonate, arie et correnti, Op. 3: Aria IX, "L'Emenfrodito" by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Sonate over Canzoni, Op. 5: Sonata quarta | Marco Uccellini, Gianni Maraldi, Elio Donatelli | E♭ Major | 1 | 5B | 90 BPM | ||
Les Éléments: II. [Loure I :] La Terre | Jean-Féry Rebel, Jordi Savall, Le Concert Des Nations | D♭ Major | 1 | 3B | 113 BPM | ||
Il terzo libro de varie sonate, sinfonie..., Op. 12: Sonata in G Major on an Aria by Ruggiero | Salomone Rossi, Jordi Savall | G Major | 2 | 9B | 89 BPM | ||
Sonata No. 1 in F Major, Op. 1: I. Grave | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder | E♭ Minor | 2 | 2A | 134 BPM | ||
Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
Canzona prima a 4, canto alto tenor basso "sopra rugier" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | G Major | 2 | 9B | 135 BPM | ||
Trio Sonata for Violin, Lute and Basso Continuo in C Major, RV 82: III. Allegro | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | A Major | 0 | 11B | 97 BPM | ||
Aria Sopra "La Bergamasca" | Marco Uccellini, Maurice Steger, Naoko Kitaya, Martin Zeller, Yasunori Imamura, Martina Schobersberger | D♭ Major | 2 | 3B | 73 BPM |
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