Leonard Bernstein, June Anderson, Christa Ludwig, Jerry Hadley, Adolph Green, London Symphony Orchestra's 'Candide / Act II: 28. The Venice Gavotte' came out on January 1, 1991. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act II: 28. The Venice Gavotte's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Candide / Act II: 28. The Venice Gavotte by Leonard Bernstein, June Anderson, Christa Ludwig, Jerry Hadley, Adolph Green, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Fancy Free Ballet: I. Enter Three Sailors | Leonard Bernstein | G Minor | 3 | 6A | 105 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 117 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
The Firebird Suite (1919 Version): Variation of the Firebird - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | B♭ Minor | 5 | 3A | 118 BPM | ||
A Quiet Place, Act II: June Twelfth - Live | Leonard Bernstein, Beverly Morgan, Peter Kazaras, Chester Ludgin, John Brandstetter, Vienna Radio Symphony Orchestra | G Major | 1 | 9B | 136 BPM | ||
Symphony No. 3 "Kaddish": IIId. Fugue | Leonard Bernstein, Kelley Nassief, The Maryland State Boychoir, The Washington Chorus, Baltimore Symphony Orchestra, Marin Alsop | F Minor | 3 | 4A | 69 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM |
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