The Rite of Spring: Mystical Circles of the Young Girls - Igor Stravinsky, New York Philharmonic, Columbia Symphony Orchestra Information

Acousticness: 98%
Danceability: 20%
Energy: 10%
Instrumentalness: 49%
Liveness: 25%
Loudness: 64%
Speechiness: 4%
Valence: 11%
Popularity: 0%
Loudness: -21.656 dB

Summary

"The Rite of Spring: Mystical Circles of the Young Girls" by Igor Stravinsky, New York Philharmonic, Columbia Symphony Orchestra was released on 1948. The duration of The Rite of Spring: Mystical Circles of the Young Girls is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. The Rite of Spring: Mystical Circles of the Young Girls's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Igor Stravinsky's "Igor Stravinsky - Le sacre du printemps (100th Anniversary Collectors Edition)" album is number 10 out of 145. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Rite of Spring: Mystical Circles of the Young Girls's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Rite of Spring: Mystical Circles of the Young Girls BPM

We consider the tempo marking of The Rite of Spring: Mystical Circles of the Young Girls by Igor Stravinsky, New York Philharmonic, Columbia Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

The Rite of Spring: Mystical Circles of the Young Girls Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Enigma Variations: Variation I. C.A.E - L'istesso tempo	Edward Elgar, Sir Colin Davis, London Symphony Orchestra	G Minor	0	6A	72 BPM
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo	Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	A Minor	2	8A	113 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	F Major	2	7B	74 BPM
String Quartet in F Major: IV. Vif et agite	Maurice Ravel, Cavani Quartet	D Minor	1	7A	140 BPM
Pictures at an Exhibition (Orch. Ravel): I. Gnomus	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	E Major	1	12B	60 BPM
Symphony No. 3 in F Major, Op. 90: 4. Allegro	Johannes Brahms, Berliner Philharmoniker, Claudio Abbado	C Major	1	8B	79 BPM
Wesendonck Lieder, WWV 91: Schmerzen	Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis	C Minor	1	5A	132 BPM
Symphony No.1 in E Major, Op. 26: I. Lento	Alexander Scriabin, London Symphony Orchestra, Valery Gergiev	E♭ Major	2	5B	139 BPM
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio	Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík	G Major	2	9B	74 BPM
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando)	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	G Major	1	9B	124 BPM

ISRC: USSM11206810
Label: L-M Records/RCA Records

Section: 0.6603517532348633

End: 0.6657447814941406