Fernando García, Pablo Neruda, Nicolai Jaeger, Peter Veale, Erich Wagner made "Tierras Ofendidas para Flauta, Oboe y Clarinete: Los Tormentos / Las Desapariciones / - En Vivo" available on April 17, 2002. Since Tierras Ofendidas para Flauta, Oboe y Clarinete: Los Tormentos / Las Desapariciones / - En Vivo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Fernando García, Various Artists's "Música de Concierto Chilena: Obras Sinfónicas y de Cámara" album is number 3 out of 9. Tierras Ofendidas para Flauta, Oboe y Clarinete: Los Tormentos / Las Desapariciones / - En Vivo is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tierras Ofendidas para Flauta, Oboe y Clarinete: Los Tormentos / Las Desapariciones / - En Vivo by Fernando García, Pablo Neruda, Nicolai Jaeger, Peter Veale, Erich Wagner to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samuel's Death | James Horner, Vic Frasier | D Minor | 2 | 7A | 107 BPM | ||
Violin Concerto, Op. 30: Ig. Studio VI - Per i 24 quarti di tono. Larghissimo | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 95 BPM | ||
Suite for Solo Cello: III. Intermezzo e danza finale | Gaspar Cassadó, Santiago Canon Valencia | G Major | 1 | 9B | 114 BPM | ||
Nielsen: Clarinet Concerto, Op. 57, FS 129: Poco adagio - | Carl Nielsen, Sabine Meyer, Sir Simon Rattle, Berliner Philharmoniker | B♭ Minor | 0 | 3A | 72 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
Cage: Mysterious Adventure | John Cage, Bertrand Chamayou | F Major | 2 | 7B | 111 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": II. Con moto | Leoš Janáček, Melos Quartet | F♯ Major | 1 | 2B | 125 BPM | ||
Arcadiana, Op. 12: I. Venezia notturna | Thomas Adès, Danish String Quartet | A♭ Major | 0 | 4B | 95 BPM | ||
Recomposed: Vivaldi - The Four Seasons: Winter 2 | Max Richter, Antonio Vivaldi, Daniel Rowland, Stift Festival Orchestra | F Minor | 2 | 4A | 107 BPM | ||
The Rite of Spring, Part 1: IV. Spring Rounds | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Minor | 0 | 3A | 90 BPM |
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