"Gott, sei mir gnädig nach diener Güte: An dir allein hab' ich gesündiget" by Johann Kuhnau, Theatre of Early Music, Schola Cantorum, Daniel Taylor was released on September 9, 2014. The duration of Gott, sei mir gnädig nach diener Güte: An dir allein hab' ich gesündiget is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Gott, sei mir gnädig nach diener Güte: An dir allein hab' ich gesündiget's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Heart's Refuge". In this album, this song's track order is #7. Gott, sei mir gnädig nach diener Güte: An dir allein hab' ich gesündiget is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gott, sei mir gnädig nach diener Güte: An dir allein hab' ich gesündiget by Johann Kuhnau, Theatre of Early Music, Schola Cantorum, Daniel Taylor having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Biber: Requiem a 15 in A Major: II. Kyrie | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 135 BPM | ||
Jesu meines Lebens Leben, BuxWV 62: Jesu meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Margaretha Consort, Marit Broekroelofs | D Minor | 1 | 7A | 103 BPM | ||
First Sonata, in D Major: I. Sicilienne | Joseph Bodin de Boismortier, Claire Guimond, Luc Beauséjour | C Major | 1 | 8B | 122 BPM | ||
Stabat Mater in F Minor, RV 621: No. 2., Cuius animam gementem | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | B Minor | 1 | 10A | 113 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 67, Kommt, Seelen, dieser Tag and Komm, Gott, Schöpfer, Heiliger Geist, BWV 479 & 370 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Nisi Dominus, RV 608: II. Vanum est vobis | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 6. Aria, "Rolle doch nicht auf die Erde" (Seele) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, William Shelton | B♭ Minor | 1 | 3A | 32 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Nisi Dominus, RV 608: IV. Cum dederit | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | A♭ Major | 1 | 4B | 142 BPM |
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