Claudio Monteverdi, Arianna Savall's 'Ritornello per l'arpa (L'Orfeo)' came out on July 29, 2021. With Ritornello per l'arpa (L'Orfeo) being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arianna Savall's "Le Labyrinthe d'Ariane" album is number 14 out of 16. Based on our statistics, Ritornello per l'arpa (L'Orfeo)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ritornello per l'arpa (L'Orfeo) by Claudio Monteverdi, Arianna Savall to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Il secondo libro de madrigali a cinque voci, SV 43: No. 4, Non giacinti o narcisi | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini, Rossana Bertini, Rosa Dominguez, Claudio Cavina, Giuseppe Maletto, Daniele Carnovich | B Major | 1 | 1B | 79 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Vespro della Beata Vergine, SV 206: VII. Duo seraphim a 3 - Live | Claudio Monteverdi, Mark Tucker, Nigel Robson, Sandro Naglia, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, Jakob Lindberg, David Miller, Christopher Wilson | D Minor | 1 | 7A | 69 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Madrigali Erotici E Spirituali: O Stellae | Consort Of Musicke, Evelyn Tubb, Mary Nichols, Claudio Monteverdi, Simon Grant, Andrew King, Joseph Cornwell, Emma Kirkby, Gabriele Micheli | D Minor | 1 | 7A | 172 BPM | ||
Le Concert royal de la Nuit, Grand Ballet, Le Soleil: Les Planètes - Entrée du Roy représentant le Soleil levant - Entrée des Génies | Anonymous, Ensemble Correspondances, Sébastien Daucé | F♯ Minor | 1 | 11A | 62 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM |
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